Contemporary Christian Music and Homosexuality
SEE: http://www.wayoflife.org/database/ccm_and_homosexuality.php;
Republished below in full unedited for informational, educational, and research purposes:
In The Gospel Sound, which first appeared in 1971, Anthony Heilbut said, “The gospel church has long been a refuge for gays and lesbians, some of whom grew up to be among the greatest singers and musicians.”
Douglas Harrison, a homosexual who grew up Southern Baptist, said, “... you can’t swing a Dove Award without hitting upon evidence of the longstanding, deep-set presence of queer experience in, and its influence on, Christian music culture at all levels” (“Come Out from among Them,” Religion Dispatches, April 30, 2010).
In 1998, CCM star Kirk Franklin said that “homosexuality ... is a problem today in gospel music--a MAJOR CONCERN--and everybody knows it” (Church Boy, pp. 49, 50).
James Cleveland, who has been called the “King of Gospel,” was a homosexual who died of AIDS.
Marsha Stevens, author of the popular song “For Those Tears I Died (Come to the Water),” co-founded Children of the Day, one of the first Contemporary Christian Music groups associated with Calvary Chapel. In 1979, Marsha broke her sacred marriage vows and divorced her husband of seven years, with whom she had two children, because she had “fallen in love with a woman.” Eventually Marsha “married” Cindi Stevens-Pino who she calls “my wife.” She started her own label called BALM (Born Again Lesbian Music) and performs between 150 and 200 concerts a year. She has a program called “upBeat” through which she produces a praise and worship album annually with a variety of singers and songwriters.
Marsha Stevens’s lesbian praise music ministry is recommended by Mark Allen Powell, Professor of New Testament at Trinity Lutheran Seminary and the author ofAn Encyclopedia of Contemporary Christian Music. He states:
“The Mother of Contemporary Christian Music continues to capture hearts for Jesus. Argue interpretations of Scripture and debate the ethics and origins of homosexuality all you want--no one with sensitivity to things of the Spirit can deny God is using Marsha Stevens to bring the love and mercy of Christ to people whom God apparently has not forgotten.”
To ignore the teaching of Scripture for a feeling or an intuition that God is using an unrepentant homosexual for His glory is blind mysticism.
The Bible condemns homosexuality as a sin in no uncertain terms and demands repentance from it of those who come to Christ. Romans 1 condemns man-with-man and woman-with-woman sexual relationships as “vile affections,” “against nature,” unseemly,” and “a reprobate mind” (Romans 1:26-28). No amount of interpretive gymnastics by homosexual-rights activists can change the clear meaning of this passage.
According to Scripture, God made human sex for the context of marriage, and anything outside of the context of marriage is fornication and adultery and is subject to God’s judgment.
“Marriage is honourable in all, and the bed undefiled: but whoremongers and adulterers God will judge” (Hebrews 13:4).
From the beginning to the end of the Bible, God-ordained marriage is defined as a holy contract between one man and one woman. Polygamy was practiced even by some of the Old Testament saints, but Jesus taught that this was never God’s will and He referred men to God’s law of marriage at the beginning.
“And he answered and said unto them, Have ye not read, that he which made them at the beginning made them male and female, And said, For this cause shall a man leave father and mother, and shall cleave to his wife: and they twain shall be one flesh? Wherefore they are no more twain, but one flesh. What therefore God hath joined together, let not man put asunder” (Matthew 19:4-6).
Since the Bible teaches that all sexual activity outside of marriage is sin, and since legitimate marriage is only between a man and a woman, there is absolutely no possibility that God would bless homosexual relationships.
Popular CCM singer Ray Boltz announced his homosexuality in 2008. He divorced his wife to live with a man. Today he “tours the country playing at liberal churches and gay-pride events that receive him and his gay Christian message” (Jesus Rocks the World: The Definitive History of Contemporary Christian Music, vol. 2, p. 173).
Other homosexual CCM artists are Anthony Williams, Kirk Talley, Clay Aiken, Doug Pinnock of King’s X, Amy Ray and Emily Saliers of Indigo Girls, and Jennifer Knapp.
In June 2013, popular CCM singer Sandi Patty performed with the homosexual Turtle Creek Chorale at the Meyerson Symphony Center in Dallas, Texas. In July 2012, the Chorale attended the Gay and Lesbian Association of Choruses (GALA) in Denver (“Turtle Creek Chorale’s 2012-2013 Season,” Turtlecreek.org).
In April 2014, Dan Haseltine of the popular CCM band Jars of Clay announced his support for “gay marriage.” He wrote the following in a series of Twitter posts:
“Not meaning to stir things up BUT… is there a non-speculative or non ‘slippery slope’ reason why gays shouldn’t marry? I don’t hear one. ... I’m trying to make sense of the conservative argument. But it doesn’t hold up to basic scrutiny. Feels akin to women’s suffrage. I just don’t see a negative effect to allowing gay marriage. No societal breakdown, no war on traditional marriage. ... I don’t think scripture ‘clearly’ states much of anything regarding morality. ... I don’t particularly care about Scriptures stance on what is ‘wrong.’ I care more about how it says we should treat people” (“Dan Haseltine,” MetroWeekly.com, April 22, 2014).
Haseltine tried to back peddle a bit after his Twitter comments were made public, but he did not renounce the concept of a “homosexual Christian” or reject same-sex “marriage.”
The reason for all of this is not difficult to discern. Typically, CCM musicians have been accepted as Christians upon the flimsiest testimony of faith and have not been properly taught and discipled. They have fed their spiritual lives with dangerous authors such as C.S. Lewis, Dietrich Bonhoeffer, Brennan Manning, Leonard Sweet, Rick Warren, and Rob Bell. They have loved corrupt Bible translations such as The Message, immersed themselves in sensual music, and have sought after emotional highs and “signs and wonders” instead of living by faith. They have played with the world, which is more dangerous than any poisonous snake, instead of living separated lives.
They have sown to the wind and are reaping the whirlwind.
The fact that Contemporary Christian Music has been home to many homosexuals and the fact that the vast majority of contemporary Christian musicians do not reprove this great sin publicly is evidence of its deep apostasy.
Douglas Harrison, a homosexual who grew up Southern Baptist, said, “... you can’t swing a Dove Award without hitting upon evidence of the longstanding, deep-set presence of queer experience in, and its influence on, Christian music culture at all levels” (“Come Out from among Them,” Religion Dispatches, April 30, 2010).
In 1998, CCM star Kirk Franklin said that “homosexuality ... is a problem today in gospel music--a MAJOR CONCERN--and everybody knows it” (Church Boy, pp. 49, 50).
James Cleveland, who has been called the “King of Gospel,” was a homosexual who died of AIDS.
Marsha Stevens’s lesbian praise music ministry is recommended by Mark Allen Powell, Professor of New Testament at Trinity Lutheran Seminary and the author ofAn Encyclopedia of Contemporary Christian Music. He states:
“The Mother of Contemporary Christian Music continues to capture hearts for Jesus. Argue interpretations of Scripture and debate the ethics and origins of homosexuality all you want--no one with sensitivity to things of the Spirit can deny God is using Marsha Stevens to bring the love and mercy of Christ to people whom God apparently has not forgotten.”
To ignore the teaching of Scripture for a feeling or an intuition that God is using an unrepentant homosexual for His glory is blind mysticism.
The Bible condemns homosexuality as a sin in no uncertain terms and demands repentance from it of those who come to Christ. Romans 1 condemns man-with-man and woman-with-woman sexual relationships as “vile affections,” “against nature,” unseemly,” and “a reprobate mind” (Romans 1:26-28). No amount of interpretive gymnastics by homosexual-rights activists can change the clear meaning of this passage.
According to Scripture, God made human sex for the context of marriage, and anything outside of the context of marriage is fornication and adultery and is subject to God’s judgment.
“Marriage is honourable in all, and the bed undefiled: but whoremongers and adulterers God will judge” (Hebrews 13:4).
From the beginning to the end of the Bible, God-ordained marriage is defined as a holy contract between one man and one woman. Polygamy was practiced even by some of the Old Testament saints, but Jesus taught that this was never God’s will and He referred men to God’s law of marriage at the beginning.
“And he answered and said unto them, Have ye not read, that he which made them at the beginning made them male and female, And said, For this cause shall a man leave father and mother, and shall cleave to his wife: and they twain shall be one flesh? Wherefore they are no more twain, but one flesh. What therefore God hath joined together, let not man put asunder” (Matthew 19:4-6).
Since the Bible teaches that all sexual activity outside of marriage is sin, and since legitimate marriage is only between a man and a woman, there is absolutely no possibility that God would bless homosexual relationships.
Popular CCM singer Ray Boltz announced his homosexuality in 2008. He divorced his wife to live with a man. Today he “tours the country playing at liberal churches and gay-pride events that receive him and his gay Christian message” (Jesus Rocks the World: The Definitive History of Contemporary Christian Music, vol. 2, p. 173).
Other homosexual CCM artists are Anthony Williams, Kirk Talley, Clay Aiken, Doug Pinnock of King’s X, Amy Ray and Emily Saliers of Indigo Girls, and Jennifer Knapp.
In June 2013, popular CCM singer Sandi Patty performed with the homosexual Turtle Creek Chorale at the Meyerson Symphony Center in Dallas, Texas. In July 2012, the Chorale attended the Gay and Lesbian Association of Choruses (GALA) in Denver (“Turtle Creek Chorale’s 2012-2013 Season,” Turtlecreek.org).
In April 2014, Dan Haseltine of the popular CCM band Jars of Clay announced his support for “gay marriage.” He wrote the following in a series of Twitter posts:
“Not meaning to stir things up BUT… is there a non-speculative or non ‘slippery slope’ reason why gays shouldn’t marry? I don’t hear one. ... I’m trying to make sense of the conservative argument. But it doesn’t hold up to basic scrutiny. Feels akin to women’s suffrage. I just don’t see a negative effect to allowing gay marriage. No societal breakdown, no war on traditional marriage. ... I don’t think scripture ‘clearly’ states much of anything regarding morality. ... I don’t particularly care about Scriptures stance on what is ‘wrong.’ I care more about how it says we should treat people” (“Dan Haseltine,” MetroWeekly.com, April 22, 2014).
Haseltine tried to back peddle a bit after his Twitter comments were made public, but he did not renounce the concept of a “homosexual Christian” or reject same-sex “marriage.”
The reason for all of this is not difficult to discern. Typically, CCM musicians have been accepted as Christians upon the flimsiest testimony of faith and have not been properly taught and discipled. They have fed their spiritual lives with dangerous authors such as C.S. Lewis, Dietrich Bonhoeffer, Brennan Manning, Leonard Sweet, Rick Warren, and Rob Bell. They have loved corrupt Bible translations such as The Message, immersed themselves in sensual music, and have sought after emotional highs and “signs and wonders” instead of living by faith. They have played with the world, which is more dangerous than any poisonous snake, instead of living separated lives.
They have sown to the wind and are reaping the whirlwind.
The fact that Contemporary Christian Music has been home to many homosexuals and the fact that the vast majority of contemporary Christian musicians do not reprove this great sin publicly is evidence of its deep apostasy.
